The Other connects two discourses, a semantic one – a reflection on the male life of the drives, made possible by reference to modern science – and a pragmatic one – the proof that cinema represents not simply a low-culture and morally devious form of pleasure for maids. (Schlüpmann, 2010:124)
德国“作者电影”最初的规范奠基之作。
“As the result of an accident, sickness or overexertion, humans can produce a ‘double being’ - a sick soul existing next to a healthy one without them knowing of each other.”
比当时乃至以后几年的德国片用了更多的分析剪辑。德国式的表演。
作家电影 人格分裂