The intricate oneiric visual language so particular of Kotzamani’s cinema is immThe intricate oneiric visual language so particular of Kotzamani’s cinema is immediately sensible in Arundel, which she made while still a film student. Shot in 16mm, the film’s very texture gives the impression that it belongs to another epoch. The criss-crossing of different temporalities make for a breaching of linear storytelling. Letters take the viewer on a voyage toward ...详情