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2017017 非常法国的德国话痨片。现代情感话题的探讨，包括恋爱、亲情及与工作的关系。
In Thomas Arslan’s films, his solitary characters often wander. Whether it is with defined purposes, like the cold thrill of a new heist job in underworld Berlin, or more elusive ones where the city becomes its own maze for reticent self-reflection—the spaces they pass through reveal a subtler internal tension beyond its overt narrative. Words spoken merely provide a clue to what is brewing under the surface, and even when the stakes are high, Arslan’s restrained visuals and minimalist environments render an element of quotidian drawl amongst life’s complexities. //Debbie Zhou. Wandering and Searching: Thomas Arslan’s ‘A Fine Day’[EB/OL]
plenty of scenes took place in U bahn and S bahn which haven't changed much today. Simple plot, long dilogues, and the costume of the protagonist is really a little bit rustic, maybe it just let the story seems more authentic.....seems more like a video than a movie.
- 昨天临时起意看的，看完想大喊“麦门！”（大莫莫的“麦”）和重看《夏天的故事》的一部。感觉环境音有点踩屎感，清晰到让人觉得舒服，但如果我们听到了女主角的声音在日常讲话时和给电影配音时的差别，就会意识到这种舒服值得令人怀疑。发现女主角言不由衷的同时也发现了自己的言不由衷，像被这部电影拍了拍肩。片长好像有点短，不够看，但又停顿得很合时宜。
人类的一天怎么能干这么多事！聚焦于德国当下，以土耳其移民二代的视角在德国游荡，公共空间、凝视、被凝视、不同国家文化的融合、配音时语言和身份的错位，以极为政治的方式发出“到底德国是什么”、城市中的爱到底是什么的疑问。可是最后的老太太莫名有些突兀。